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Sonic Trash

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Praised by some as the summation of Robert Red­ford’s distinguished acting career, his latest film begins without music, just the stillness of a calm sea at dawn, the wide-screen expanse bathed in myriad shades of blue reluctantly relinquishing the pink glow of a sun not yet visible above the horizon.

This is an array of colors spread across the unbroken natural world, a tableau worthy of Johann Caspar David Friedrich: a romantic vision that would perhaps be unthreatening if not for the title on the picture’s frame — All Is Lost. Except for water and sky, there is nothing to be seen, not even hope.

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